Monday, May 25, 2009
Fashioning Now
Our website for Fashioning Now is now live, although more information will be added shortly. The UTS DAB website has dates and a bit more on the workshops.
Labels:
exhibition,
fashion design,
sustainability
Monday, March 23, 2009
interesting report
An interesting research report commissioned by Defra from Nottingham Trent University and Sheffield Hallam University is available for download from here. I have only managed a brief glance through it as yet, but in particular, the section on repair seems like a fascinating read.
Tuesday, March 17, 2009
busy busy busy
The short of it: I spent January writing, started the job at the start of February, writing stopped. It's about to start again this week; over the weekend I read much of what I'd written, and it wasn't nearly as bad as I'd feared.
As well as teaching, I've been busy (an understatement) with an exciting project, more on which later. But there is a little bit about it here.
No promises about whether this blog will ever get back to speed again (I'd like it to) but here are a few lines, courtesy of Zoe, that gave me a laugh. And that probably tells us that doing a PhD is not so good for one's sense of humour.
Q: What is your ontological position in regards to your research?
A: Um, I can't afford to go to the gynecologist at the moment...
As well as teaching, I've been busy (an understatement) with an exciting project, more on which later. But there is a little bit about it here.
No promises about whether this blog will ever get back to speed again (I'd like it to) but here are a few lines, courtesy of Zoe, that gave me a laugh. And that probably tells us that doing a PhD is not so good for one's sense of humour.
Q: What is your ontological position in regards to your research?
A: Um, I can't afford to go to the gynecologist at the moment...
Saturday, December 20, 2008
if only it were a joke
Inexplicably Conservapedia, "The Trustworthy Encyclopedia", has an entry titled "Fashion industry values", clearly written by a passionate but misguided (understatement of 2008?) teenager. On the one hand, it has had me in hysterics, on the other, it makes me cranky. I probably shouldn't give it another thought.
The entry on dinosaurs is worth a read, too. The thing I have trouble with in regards to all these (presumably land) animals squishing on board Noah's ark is geography (and in case you had trouble with that leap from dinosaurs to Noah, read the entry on dinosaurs). Admittedly I haven't read the Bible on this, but was the flood global? And how much of a sea level rise are we talking here? Because if it was substantial, how the hell did them potoroos from Australia and vicuñas from South America cross oceans to get to the Middle East? And how come the two T-Rex didn't gobble them up? I tried to find out on Conservapedia, only to find in one entry that we all "must be" Noah's descendants, and in another that a whole heap of other folks made it, too. I know which level of inbreeding I'm more comfortable with...
This entry wouldn't be complete without a message from Mrs Betty Bowers, America's best Christian; message that is as informative as any entry on Conservapedia. Enjoy:
The entry on dinosaurs is worth a read, too. The thing I have trouble with in regards to all these (presumably land) animals squishing on board Noah's ark is geography (and in case you had trouble with that leap from dinosaurs to Noah, read the entry on dinosaurs). Admittedly I haven't read the Bible on this, but was the flood global? And how much of a sea level rise are we talking here? Because if it was substantial, how the hell did them potoroos from Australia and vicuñas from South America cross oceans to get to the Middle East? And how come the two T-Rex didn't gobble them up? I tried to find out on Conservapedia, only to find in one entry that we all "must be" Noah's descendants, and in another that a whole heap of other folks made it, too. I know which level of inbreeding I'm more comfortable with...
This entry wouldn't be complete without a message from Mrs Betty Bowers, America's best Christian; message that is as informative as any entry on Conservapedia. Enjoy:
Wednesday, December 17, 2008
still 'ere
Just a quick note to pull this blog from the depths of obscurity (hell, I've even forgotten how to ping at Technorati, not that I know what pinging means) and to thank Sandra, Sam, Lynda and Holly for the emails, and Mike for the comment (some time ago, I know). To possible lurkers, I am alive, lucid even.
I just read the last post. Deary me. If Mr Kane ever visits this blog (ha!), let it be known that I am a fan of his work but not the three looks I picked on. And I really didn't mean to turn this blog into a semi-permanent Kane-hate site. Come February, or whenever it is that these women are made to walk funny again, I will make up for it, promise.
I also read that August was cursed and September was blessed. Well, October was cursed in a way that made August seem like month in Club Med if one is into one of those. I'm not, even if the trip to Finland had a definite theme running through it. This has been the worst year of my life to date. Period. All thanks to October. And I shall leave it that.
In coming weeks this blog will return to form (if it ever had any) - so many exciting news, so many exciting people that have contacted me. I will quickly mention Sam Formo, who, like Andrew Hague*, has under the guidance of Lynda Grose created something quite beautiful that deserves a blog post of its own. Soon, hopefully; I just don't want to exclude Sam from certain possibilities by blogging about the work just yet.
*Yes, I have turned into one of those academiacs who refer to self endlessly. And talk. Andrew actually has a fantastic website of his own.
So here we are, another 5000 years into my unfinished PhD, another year nearly over. But the writing is picking up speed and I sort of dare to be optimistic again. (A word I forgot in October.) The thesis is starting to have balls and they are meaty!
On the likely off-chance this is my last post for the year, happy holidays, thank you, and bring on 2009! (And let's never mention 2008 again, ok?)
I just read the last post. Deary me. If Mr Kane ever visits this blog (ha!), let it be known that I am a fan of his work but not the three looks I picked on. And I really didn't mean to turn this blog into a semi-permanent Kane-hate site. Come February, or whenever it is that these women are made to walk funny again, I will make up for it, promise.
I also read that August was cursed and September was blessed. Well, October was cursed in a way that made August seem like month in Club Med if one is into one of those. I'm not, even if the trip to Finland had a definite theme running through it. This has been the worst year of my life to date. Period. All thanks to October. And I shall leave it that.
In coming weeks this blog will return to form (if it ever had any) - so many exciting news, so many exciting people that have contacted me. I will quickly mention Sam Formo, who, like Andrew Hague*, has under the guidance of Lynda Grose created something quite beautiful that deserves a blog post of its own. Soon, hopefully; I just don't want to exclude Sam from certain possibilities by blogging about the work just yet.
*Yes, I have turned into one of those academiacs who refer to self endlessly. And talk. Andrew actually has a fantastic website of his own.
So here we are, another 5000 years into my unfinished PhD, another year nearly over. But the writing is picking up speed and I sort of dare to be optimistic again. (A word I forgot in October.) The thesis is starting to have balls and they are meaty!
On the likely off-chance this is my last post for the year, happy holidays, thank you, and bring on 2009! (And let's never mention 2008 again, ok?)
Thursday, September 18, 2008
bulk (or hips full of fashion)
As a brief respite from writing writing writing, I popped over at style.com to ogle at whatever we're meant to believe is what "women will be wearing" in the northern spring next year. Christopher Kane caught my eye, for better and for worse. This is how big he made two of his models' hips look:

Flaps. Jessica Stam may not be tallest model on the block (and this is good - I'm all for diversity of all kinds - and she may well have the sexiest walk out there); or should that be blocks? Even with those phonebook soles this makes her look 4'4. And as tragic as it may be, I now look at everything in terms of wastage; the entire collection is a nightmare in that respect. But, when Kane works the circles in sheer, the results are much more exciting:


Even this works works for me:
For this particular skirt, I think the inspiration was the reproductive organs of women AND men (look closely and try and convince me otherwise). On the other hand, I wasn't nearly as taken with Kane's use of marabou or whatever fluff edges this:
It has the sophistication of a Mardi Gras outfit cobbled together in the hour before the parade but at least the shoes match, I guess.
But, going back to the dinosauresque (bugger off, spell check) cut-outs, they remind me of Zandra Rhodes' Dinosaur Coat from 1971, in technique if not in look:

As for the writing, it's going well-ish. Admittedly the fear is building; as much as I pretend to ignore the elephant in the room (or on the screen, rather), questioning and challenging how we view and teach fashion design and patternmaking is a frightening affair.
In other exciting news, as of February 2009 I will be employed full-time. The interview, it turns out, went very well. And there are other exciting things in the pipeline, too. Cursed as August may have been, September has been blessed.
[NB: I just checked; Jessica Stam apparently is 5'10 so not as short as I thought. And according to this hilarious piece, she is known for "her trademark eyes" and "personality". I think she should sue whoever wrote the entry.]

Flaps. Jessica Stam may not be tallest model on the block (and this is good - I'm all for diversity of all kinds - and she may well have the sexiest walk out there); or should that be blocks? Even with those phonebook soles this makes her look 4'4. And as tragic as it may be, I now look at everything in terms of wastage; the entire collection is a nightmare in that respect. But, when Kane works the circles in sheer, the results are much more exciting:

Even this works works for me:
For this particular skirt, I think the inspiration was the reproductive organs of women AND men (look closely and try and convince me otherwise). On the other hand, I wasn't nearly as taken with Kane's use of marabou or whatever fluff edges this:
It has the sophistication of a Mardi Gras outfit cobbled together in the hour before the parade but at least the shoes match, I guess.But, going back to the dinosauresque (bugger off, spell check) cut-outs, they remind me of Zandra Rhodes' Dinosaur Coat from 1971, in technique if not in look:

As for the writing, it's going well-ish. Admittedly the fear is building; as much as I pretend to ignore the elephant in the room (or on the screen, rather), questioning and challenging how we view and teach fashion design and patternmaking is a frightening affair.
In other exciting news, as of February 2009 I will be employed full-time. The interview, it turns out, went very well. And there are other exciting things in the pipeline, too. Cursed as August may have been, September has been blessed.
[NB: I just checked; Jessica Stam apparently is 5'10 so not as short as I thought. And according to this hilarious piece, she is known for "her trademark eyes" and "personality". I think she should sue whoever wrote the entry.]
Labels:
Christopher Kane,
fabric waste,
fashion design,
patternmaking
Tuesday, September 09, 2008
"zero waste designers"
From White Apricot, by Laurel House.
Great to see this written about but once again, the pioneering works of Zandra Rhodes, Yeohlee Teng or Julian Roberts do not get mentioned. This amnesia by fashion writers* is a continuing concern; there is so much to learn from all three. (In a similar fashion, the current Australian issue of Marie Claire is "the green issue" which probably means that they've now ticked that box and who knows what next month brings. I hope, but not much.) Furthermore, the seminal 'Cut My Cote' by Deborah Burnham is once again left out. Reading it was one of those moving fashion moments for me, kind of like seeing the books by Janet Arnold for the first time way back in 1994.
On Roberts and his Subtraction Cutting Tour, the dates and places are listed here. To be on the other hemisphere...
Interview less than two hours away. My toes need liberating and a thinner neck would be good, too.
*If the author of that article reads this, rest assured this is not intended as an attack on you. Rather, it's an outburst of accumulated frustration about the fact that most 'green' fashion journalism has inherited some undesirable aspects of traditional fashion journalism unnecessarily. I do acknowledge that we are all here to learn but I do get at times frustrated at the pace of that learning. Apologies for any offense caused.
Great to see this written about but once again, the pioneering works of Zandra Rhodes, Yeohlee Teng or Julian Roberts do not get mentioned. This amnesia by fashion writers* is a continuing concern; there is so much to learn from all three. (In a similar fashion, the current Australian issue of Marie Claire is "the green issue" which probably means that they've now ticked that box and who knows what next month brings. I hope, but not much.) Furthermore, the seminal 'Cut My Cote' by Deborah Burnham is once again left out. Reading it was one of those moving fashion moments for me, kind of like seeing the books by Janet Arnold for the first time way back in 1994.
On Roberts and his Subtraction Cutting Tour, the dates and places are listed here. To be on the other hemisphere...
Interview less than two hours away. My toes need liberating and a thinner neck would be good, too.
*If the author of that article reads this, rest assured this is not intended as an attack on you. Rather, it's an outburst of accumulated frustration about the fact that most 'green' fashion journalism has inherited some undesirable aspects of traditional fashion journalism unnecessarily. I do acknowledge that we are all here to learn but I do get at times frustrated at the pace of that learning. Apologies for any offense caused.
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