
Flaps. Jessica Stam may not be tallest model on the block (and this is good - I'm all for diversity of all kinds - and she may well have the sexiest walk out there); or should that be blocks? Even with those phonebook soles this makes her look 4'4. And as tragic as it may be, I now look at everything in terms of wastage; the entire collection is a nightmare in that respect. But, when Kane works the circles in sheer, the results are much more exciting:

Even this works works for me:
For this particular skirt, I think the inspiration was the reproductive organs of women AND men (look closely and try and convince me otherwise). On the other hand, I wasn't nearly as taken with Kane's use of marabou or whatever fluff edges this:
It has the sophistication of a Mardi Gras outfit cobbled together in the hour before the parade but at least the shoes match, I guess.But, going back to the dinosauresque (bugger off, spell check) cut-outs, they remind me of Zandra Rhodes' Dinosaur Coat from 1971, in technique if not in look:

As for the writing, it's going well-ish. Admittedly the fear is building; as much as I pretend to ignore the elephant in the room (or on the screen, rather), questioning and challenging how we view and teach fashion design and patternmaking is a frightening affair.
In other exciting news, as of February 2009 I will be employed full-time. The interview, it turns out, went very well. And there are other exciting things in the pipeline, too. Cursed as August may have been, September has been blessed.
[NB: I just checked; Jessica Stam apparently is 5'10 so not as short as I thought. And according to this hilarious piece, she is known for "her trademark eyes" and "personality". I think she should sue whoever wrote the entry.]



1 comment:
I really liked your insights into Kane's show. On many levels though, I prefer this than Pugh's!
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